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1st AC (Focus Puller)

Keeps the image sharp and builds/maintains the camera package — one of the most technical on-set camera grades in UK drama.

Duties

• Read the call sheet and sides before arriving
• Maintain radio/set etiquette and H&S
• Hand over notes/kit status at wrap
• Pull focus
• Build/break camera
• Lens changes and reports
• Manage 2nd AC

Reports to

DoP / Camera Operator

Works with

2nd AC, DIT, Camera Trainee, Grips, Script Supervisor

Career path

Camera Trainee → 2nd AC → 1st AC → Operator

Day to day

Build camera; mark rehearsals; pull focus on takes; manage lenses/filters; oversee 2nd AC/media discipline; liaise DIT on settings; protect the package.

Call times

Camera call is frequently earlier than general unit for build and prep. Focus/loader/trainees often pre-call. Check camera call, lunch and estimated wrap on the sheet; split days and nights are common on features.

What to wear

Matte blacks on set; quiet soft soles preferred; weather layers for UK exteriors; personal harness/support kit for Steadicam ops as needed.

Tools & kit

Focus monitor, tape measure / laser, follow focus, slate knowledge, lens cleaning kit.

Tips

Confirm title, agreement, budget band, prep/wrap and kit fee on the deal memo before accepting. We never invent Bectu figures — check bectu.org.uk ratecards / your branch.

Software

• pCam
• FocusBug / CineRT systems
• Notion for lens notes
• QTAKE / video village tools
• ShotPut Pro / Hedge / Silverstack (DIT workflows)
• Pomfort Livegrade / LUT tools
• Frame.io / PIX for dailies as issued
• ChatGPT for quick lens/DoF notes (verify with DoP)

Bectu rate cards for this role are in the app.

Related roles

2nd AC (Clapper Loader), DIT

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