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Camera Operator

Frames and operates the camera under the DoP on UK units (focus is usually a separate 1st AC on drama features/TV).

Duties

• Read the call sheet and sides before arriving
• Maintain radio/set etiquette and H&S
• Hand over notes/kit status at wrap
• Operate A/B camera
• Maintain framing and movement
• Liaise with grips for moves

Reports to

Director of Photography

Works with

DoP, 1st AC, 2nd AC, Dolly Grip, Script Supervisor, Video Assist

Career path

1st AC → Operator → DoP

Day to day

Rehearse frames with Director/DoP; operate during takes; coordinate dolly/crane with grips; protect eyelines and boom shadows; note take preferences for Script Supervisor.

Call times

Camera call is frequently earlier than general unit for build and prep. Focus/loader/trainees often pre-call. Check camera call, lunch and estimated wrap on the sheet; split days and nights are common on features.

What to wear

Matte blacks on set; quiet soft soles preferred; weather layers for UK exteriors; personal harness/support kit for Steadicam ops as needed.

Tools & kit

Marking tape, gloves, personal follow-focus (kit deal).

Tips

Confirm title, agreement, budget band, prep/wrap and kit fee on the deal memo before accepting. We never invent Bectu figures — check bectu.org.uk ratecards / your branch.

Software

• Arri / Sony camera manuals
• pCam / pCine calculators (paid apps)
• QTAKE / video village tools
• ShotPut Pro / Hedge / Silverstack (DIT workflows)
• Pomfort Livegrade / LUT tools
• Frame.io / PIX for dailies as issued
• ChatGPT for quick lens/DoF notes (verify with DoP)

Bectu rate cards for this role are in the app.

Related roles

1st AC (Focus Puller)

More Camera roles