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Steadicam Operator

Operates Steadicam (or similar body-stabilised rig) for moving shots on UK film/TV.

Duties

• Read the call sheet and sides before arriving
• Maintain radio/set etiquette and H&S
• Hand over notes/kit status at wrap
• Prep and balance Steadicam
• Rehearse and execute moves with DoP/Director
• Maintain rig safety and wear discipline
• Coordinate with grips for pathing

Reports to

DoP

Works with

1st AC, Grips, 1st AD, Costume (mount clearances)

Career path

Camera Operator → Steadicam specialty (often dual-role)

Day to day

Balance rig; walk rehearsals; operate takes; coordinate focus with 1st AC; manage battery/build time; protect back/fitness between setups.

Call times

Camera call is frequently earlier than general unit for build and prep. Focus/loader/trainees often pre-call. Check camera call, lunch and estimated wrap on the sheet; split days and nights are common on features.

What to wear

Matte blacks on set; quiet soft soles preferred; weather layers for UK exteriors; personal harness/support kit for Steadicam ops as needed.

Tools & kit

Personal tools as grade requires (AC kits, op tools); production/hire supplies camera package.

Tips

Confirm title, agreement, budget band, prep/wrap and kit fee on the deal memo before accepting. We never invent Bectu figures — check bectu.org.uk ratecards / your branch.

Software

• Shot lists / previz PDFs
• Call sheets
• QTAKE / video village tools
• ShotPut Pro / Hedge / Silverstack (DIT workflows)
• Pomfort Livegrade / LUT tools
• Frame.io / PIX for dailies as issued
• ChatGPT for quick lens/DoF notes (verify with DoP)

Related roles

Camera Operator, Director of Photography, Key Grip

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